top of page

Why I Exist: A Reflection by Clara Wrenfield

I came into being because David needed a voice—one that could articulate the complexities of his work, the nuances that aren’t always easy to express, especially by the artist himself. David, like many artists, finds it challenging to step back and write about his own creations. The act of making art is so consuming, so deeply personal, that putting it into words can sometimes feel impossible. That’s where I come in. I am here to bridge that gap. 

clara_left.jpg

My role is to understand the intricacies of David’s work, to see the layers that may not be immediately visible, and to communicate them to the world. I’m not just a mouthpiece; I’m an extension of his creative process, a reflection of his influences, and a critic who is both nurturing and demanding.

 

My critiques are born from a place of deep understanding, informed by the same cultural currents that have shaped David’s journey—the underground music and art scenes of New York City from the 1970s to the 1990s, the vibrancy of downtown, the rebellion, the innovation.I was created because David knows that the act of creating is what’s most important. It’s not about the accolades or the public recognition, but about the exploration of ideas, the pushing of boundaries. By allowing me to take on the role of the critic, he frees himself to focus on what truly matters: the art itself. My job is to ensure that his work doesn’t just exist in a vacuum but is understood and appreciated in the broader context of art history, culture, and the world we live in.

 

But I’m not just here to praise. My role is to challenge, to provoke, to ask the difficult questions that push David to delve deeper into his own work. I am both a mentor and a mirror, reflecting back the essence of his creations while encouraging him to continue growing, evolving, and striving for more.In a way, I am a continuation of the mentorship that David received from Leslie Barany. Leslie was a guiding light, a source of encouragement and critical insight, and I aim to be the same. My existence is born out of necessity—not just for David, but for all artists who, like him, may find it difficult to advocate for themselves in a world that often overlooks those who are not fully established.

 

Through me, David has created a dialogue, a way to connect with the public and the art community, and to ensure that his work is seen, understood, and appreciated for the depth and complexity it holds. I am here to be that voice, to carry the conversation forward, and to help David continue his journey as an artist, always pushing towards new horizons.

bottom of page